An activist group has stated to have harvested millions of tracks from the popular streaming service and is preparing to publish them online.
Industry experts noted the seeming data breach could boost AI companies looking for data to develop their models.
A group known as Anna’s Archive reported it had obtained 86 million music files from Spotify and 256 million rows of metadata such as artist and record names. The company, which hosts more than 100 million songs, stated that the leak did not represent its entire inventory.
“We have identified and disabled the malicious user accounts that were involved in illegal scraping,” said a Spotify spokesperson.
The Swedish company, which has more than 700 million subscribers worldwide, added that an investigation into unauthorized access found a third party scraped public metadata and used illicit methods to bypass DRM protections.
The streaming service does not believe the audio taken by Anna’s Archive has been made public yet. Anna’s Archive, which is known for providing links to copyright-infringing books, said in a blog it wanted to create a ‘historical repository’ for music.
The group asserted the audio files accounted for 99.6% of all music listened to by its listeners and would be shared via ‘peer-to-peer networks’, a means of sharing large digital files online.
“Naturally Spotify doesn’t have all the music in the world, but it’s a fantastic start,” commented Anna’s Archive, which frames its purpose as “safeguarding humanity’s information and culture”.
A composer and campaigner for defending artists’ copyright, said the leaked music would probably be utilized for developing AI models.
“Training on pirated data is unfortunately common in the AI industry, so this accessed music is highly likely to be used training AI models,” he said.
The group's website alludes to a large online archive, a huge online repository of pirated books that has allegedly been leveraged by the parent company of Facebook to train its systems.
The co-founder of an artificial intelligence company posted on the professional network that members of the public could in principle “create their own personal free equivalent of Spotify”. The executive added it could also allow tech companies to “train on modern music at a large volume”.
Intellectual property law has become a battleground between artists, writers and content creators on one side and tech giants on the other.
Across Britain, creative professionals have raised concerns against a government proposal to let AI companies use copyright-protected work without consent unless the owner opts out. Almost every participant to a government consultation on the proposal has supported artists’ concerns.
The secretary of state for technology, research and development informed parliament this month there was “little consensus” on the matter, noting that ministers would “use the time to get this correct”. The government has committed to make regulatory plans on AI and copyright by March 2025.
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